The duration of exposure mimics the movement of the angel - staring ahead while being pushed away into the future. The attempt is not to capture the decisive moment, since pausing is not a possibility, but the movement itself, while the lack of a focusing apparatus moves the image away from the clear and defined towards the uncertain and fragmented. This fragmentation and distortion, as well as the black and white color scheme, creates a sort of stop, a caesura, in the everydayness, through which the past can be revealed.
In the lensless digital videos, the duration starches the moment of staring ahead while being pushed away into the future, making the movement itself evident. Within the fixed viewpoint, the storm of pixels caused by the high ISO could be seen as the same storm, which “irresistibly propels him [the angel] into the future to which his back is turned, while the pile of debris before him grows skyward”.
Since moving from Jerusalem to Berlin over a year ago, this perspective, this filter, guides my wandering through the city, within the ruins and fragments of history, attempting to turn the (ethical) look back to the forgotten (or, to a forgotten). Trying to open a crack into what was, while Remembering Forward.