Exhibitions, Italy, Firenze, 08 November 2013
The paintings by American artist Julie Devine of Seattle are a hymn to the transformations that nature makes us spectators every time is a continuation of a season. Julie Devine paints what she see , walking through the woods of the Pacific Northwest playing with light that breaks on the leaves. And it is the leaves that give it the ability to play at multiple levels of imagination. When viewed from a distance her paintings do not give the possibility to distinguish the forms, but seen up close you can perfectly distinguish the forms of nature that the artist loves unconditionally. And while the work of Devine focuses on the love for nature to Natalie Marie Crane is all about focusing on the human figure and its behavior.
American-born but with a training held in Florence, uses a language very innovative and contemporary in portraiture.R32;The artist leaves a lot of imagination to the viewer . They are the portraits is true, but they can have many levels of interpretation.
The artist says, "Every form that functions as a gear and paint colors work like teeth.”
The painting works correctly when all the parts fit together, at different times and often unexpected ways ,everything comes at a crucial time for the subjects
Are portrayed in ambiguous positions giving the viewer not only the power to give them what the subject is doing and what she feels , but also to discover the data that you attach to their personal sphere."
But the love for nature by Suzanne C. Nagy artist of American adoption is manifested through the work of denunciation of serious environmental disasters. Through " light boxes " in the city of New York in 1091 Madison Avenue with the exhibition "The polluters" began to work on environmental issues. Since then she has exhibited a long series of the same subject entitled "Pollution / Remediation" both in Budapest and New York.
Through a series of exhibitions has denounced the war in the Gulf of Mexico, that we will remember all through the oil spill caused extensive damage to the environment.
The use of LED for her works minimizes the time the artist can explore the linguistic, material and conceptual , that this art form, transforming the "luminous matter" in a common element in the international arts practice.
On this Exhibition are works that develop the theme of the body, the visceral love, which brings together works distant in time and space, but share the great versatility of expression of a material characterized by the presence of a matrix indus- trial and craft time same. Along with the works of the three American artists , will require the works of British artist Jenifer Carey lives in Madrid , which makes the portrait a language all its own. Discovery of joy and beauty of her creations are pure curiosity for life, who have brought this artist to experiment with new and different methods among them, until he lands the use of the engraving. The method of Matisse had a great impact on her training, and that explains the originality of the expression of her artistic language.
Roberta Mottola
American-born but with a training held in Florence, uses a language very innovative and contemporary in portraiture.R32;The artist leaves a lot of imagination to the viewer . They are the portraits is true, but they can have many levels of interpretation.
The artist says, "Every form that functions as a gear and paint colors work like teeth.”
The painting works correctly when all the parts fit together, at different times and often unexpected ways ,everything comes at a crucial time for the subjects
Are portrayed in ambiguous positions giving the viewer not only the power to give them what the subject is doing and what she feels , but also to discover the data that you attach to their personal sphere."
But the love for nature by Suzanne C. Nagy artist of American adoption is manifested through the work of denunciation of serious environmental disasters. Through " light boxes " in the city of New York in 1091 Madison Avenue with the exhibition "The polluters" began to work on environmental issues. Since then she has exhibited a long series of the same subject entitled "Pollution / Remediation" both in Budapest and New York.
Through a series of exhibitions has denounced the war in the Gulf of Mexico, that we will remember all through the oil spill caused extensive damage to the environment.
The use of LED for her works minimizes the time the artist can explore the linguistic, material and conceptual , that this art form, transforming the "luminous matter" in a common element in the international arts practice.
On this Exhibition are works that develop the theme of the body, the visceral love, which brings together works distant in time and space, but share the great versatility of expression of a material characterized by the presence of a matrix indus- trial and craft time same. Along with the works of the three American artists , will require the works of British artist Jenifer Carey lives in Madrid , which makes the portrait a language all its own. Discovery of joy and beauty of her creations are pure curiosity for life, who have brought this artist to experiment with new and different methods among them, until he lands the use of the engraving. The method of Matisse had a great impact on her training, and that explains the originality of the expression of her artistic language.
Roberta Mottola
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