Exhibitions, Italy, Piacenza, 27 June 2014
Feminine plural
Review in three acts by Alessandra Redaelli
Second Act | The look on the world
Art Biffi told in three exhibitions the most original new voices
of Italian women.
Is there a specifically feminine way of looking at the world? There is a look "female" that you can actually oppose a look at the "male"? Beyond the clichés, perhaps, it can be assumed with a certain verisimilitude that if the male is more trained eye to the overall vision and strategic solution, the eye looks more female led to the in-depth look at the penetration of through a real sounding. A sounding emotional, rather than practical.
This belief stems from the show's gaze on the world, the second chapter of the exhibition Feminine, plural, scheduled by Biffi Art from June 27 to August 3. After Intimacy, look inside - which investigated as ten women use art to read in themselves, to be closer to their true selves - that's the focus of attention moves out. One slip of the frame that does not correspond, however, to a substantial modification of the method. That remains the active contemplation, listening silently, in the richest sense of understanding of the term (contain in themselves, embrace, enclose), of wisdom, but sometimes that's throaty laugh, the irony - perhaps with a bottom slight bitterness - and the game.
If Alessandra Baldoni tells the emotions of a passion not lived through the language of powerful, highly symbolic and lyrical of his photographs, Linda Carrara recreates through painting the space around him, building architectures and environments with sharp colors magmatic in which we have l ' impression of losing. And really in danger of get lost in the forests of Marika Vicari, stands of trees substantiated with lights and shadows, as if ready to greet the scenes between their mysteries. Still vegetation, leaves, stems, flowers immense perhaps from another world, are the raw material through which Brigitta Rossetti explores the real. Not the wood instead, but the metropolis is the land of Marina Previtali, which, with its vibrant brushstrokes, very mobile, gives us an intense Milan "which salt" as a construction site teeming pulsing glow of neon. And look almost the same extreme close-ups of this metropolis paintings by Liliana Cecchin, with the crowd that runs touching each other and the movements that duplicated in the figure and multiply in a neo-futuristic dance. Far from the crowd, immersed in a hushed silence, here are the rooms of Tina Sgro: enchanted environments, timeless, substantiated by a soft light and calming that blurs the contours and confuses the eye. And out of time also appear maidens Cristina Iotti, almost embroidery pencil and pastel telling us, including lace and arabesques of stunning accuracy, the little drama all women's apparel choice. An actual room is the one in which he invites the viewer Claudia Scarsella: comfortable cushions to sit on and a tapestry on which small moments of life, images, memories, clippings, photographs fragments are duplicated and multiply like a kaleidoscope. The fairy world where she tells us Loredana Galante, however, is more akin to that found by Alice after passing through the mirror, between flower beds that pop up from the floor as if by magic, brightly colored birds, overflowing fountains, sumptuous fruit baskets and spiders essays that weave silk webs ready to ensnare us. Marina Giannobi choose a theme - can be read or, as in this case, music - and it captures in an endless series of photographs, scans it to the infinitesimal detail, restituendocelo in vibrant images in out of focus wise and unsettling, as a valuable film to recreate in us. A look clean on the real is to Elisa Rossi, who all played in oils on canvas in the shadows, the white and the blacks, tells a tender everyday life, where the almost photographic accuracy melts into poetry. And razor sharp, as framed by a zoom hypersensitive, are the flowers of Chiara Albertoni. Huge, rendered with stunning definition that gives us the impression of being able to touch every drop of dew, staring at us wonderful gifts, sensual, live as thinking creatures. Instead, the taste of sweets and candy canes painting Marica Fasoli. A hyper-realism that goes beyond the mere reproduction of the real data, which breaks through the two dimensions and with a brightness and clarity tells metaphysical dreams, promises, hopes and small unforgettable moments.
As the first chapter, the interior, the look inside, even gaze upon the world will have a sister show in Milan, the headquarters of the eighteenth century Palazzo Pirola Gorgonzola, from October 18 to November 9. In this case, the artists will be accompanied also by the protagonists of the third and final chapter of the exhibition, The spaces of the dream, to be held in Piacenza between December 2014 and January 2015.
The look on the world
June 27 | August 3
Opening Friday, June 27 at 18
host of the evening angel Ascoli, head of Diva e Donna
Biffi Art Gallery
Piazza Sant'Antonio - Via Chiapponi 39-29121 Piacenza
Opening hours: Tuesday to Sunday from 11.00 to 19.00
Info: tel 0523.1720408
www.biffiarte.it
Press Biffi Art Gallery
Angela Ianni
tel 0523.1720408
galleria@biffarte.it
www.biffiarte.it
Press Formec Biffi
Antonella Maia
The cell 349 4757783
antonellamaia.ufficiostampa @ gmail.com
www.formecbiffi.it
Review in three acts by Alessandra Redaelli
Second Act | The look on the world
Art Biffi told in three exhibitions the most original new voices
of Italian women.
Is there a specifically feminine way of looking at the world? There is a look "female" that you can actually oppose a look at the "male"? Beyond the clichés, perhaps, it can be assumed with a certain verisimilitude that if the male is more trained eye to the overall vision and strategic solution, the eye looks more female led to the in-depth look at the penetration of through a real sounding. A sounding emotional, rather than practical.
This belief stems from the show's gaze on the world, the second chapter of the exhibition Feminine, plural, scheduled by Biffi Art from June 27 to August 3. After Intimacy, look inside - which investigated as ten women use art to read in themselves, to be closer to their true selves - that's the focus of attention moves out. One slip of the frame that does not correspond, however, to a substantial modification of the method. That remains the active contemplation, listening silently, in the richest sense of understanding of the term (contain in themselves, embrace, enclose), of wisdom, but sometimes that's throaty laugh, the irony - perhaps with a bottom slight bitterness - and the game.
If Alessandra Baldoni tells the emotions of a passion not lived through the language of powerful, highly symbolic and lyrical of his photographs, Linda Carrara recreates through painting the space around him, building architectures and environments with sharp colors magmatic in which we have l ' impression of losing. And really in danger of get lost in the forests of Marika Vicari, stands of trees substantiated with lights and shadows, as if ready to greet the scenes between their mysteries. Still vegetation, leaves, stems, flowers immense perhaps from another world, are the raw material through which Brigitta Rossetti explores the real. Not the wood instead, but the metropolis is the land of Marina Previtali, which, with its vibrant brushstrokes, very mobile, gives us an intense Milan "which salt" as a construction site teeming pulsing glow of neon. And look almost the same extreme close-ups of this metropolis paintings by Liliana Cecchin, with the crowd that runs touching each other and the movements that duplicated in the figure and multiply in a neo-futuristic dance. Far from the crowd, immersed in a hushed silence, here are the rooms of Tina Sgro: enchanted environments, timeless, substantiated by a soft light and calming that blurs the contours and confuses the eye. And out of time also appear maidens Cristina Iotti, almost embroidery pencil and pastel telling us, including lace and arabesques of stunning accuracy, the little drama all women's apparel choice. An actual room is the one in which he invites the viewer Claudia Scarsella: comfortable cushions to sit on and a tapestry on which small moments of life, images, memories, clippings, photographs fragments are duplicated and multiply like a kaleidoscope. The fairy world where she tells us Loredana Galante, however, is more akin to that found by Alice after passing through the mirror, between flower beds that pop up from the floor as if by magic, brightly colored birds, overflowing fountains, sumptuous fruit baskets and spiders essays that weave silk webs ready to ensnare us. Marina Giannobi choose a theme - can be read or, as in this case, music - and it captures in an endless series of photographs, scans it to the infinitesimal detail, restituendocelo in vibrant images in out of focus wise and unsettling, as a valuable film to recreate in us. A look clean on the real is to Elisa Rossi, who all played in oils on canvas in the shadows, the white and the blacks, tells a tender everyday life, where the almost photographic accuracy melts into poetry. And razor sharp, as framed by a zoom hypersensitive, are the flowers of Chiara Albertoni. Huge, rendered with stunning definition that gives us the impression of being able to touch every drop of dew, staring at us wonderful gifts, sensual, live as thinking creatures. Instead, the taste of sweets and candy canes painting Marica Fasoli. A hyper-realism that goes beyond the mere reproduction of the real data, which breaks through the two dimensions and with a brightness and clarity tells metaphysical dreams, promises, hopes and small unforgettable moments.
As the first chapter, the interior, the look inside, even gaze upon the world will have a sister show in Milan, the headquarters of the eighteenth century Palazzo Pirola Gorgonzola, from October 18 to November 9. In this case, the artists will be accompanied also by the protagonists of the third and final chapter of the exhibition, The spaces of the dream, to be held in Piacenza between December 2014 and January 2015.
The look on the world
June 27 | August 3
Opening Friday, June 27 at 18
host of the evening angel Ascoli, head of Diva e Donna
Biffi Art Gallery
Piazza Sant'Antonio - Via Chiapponi 39-29121 Piacenza
Opening hours: Tuesday to Sunday from 11.00 to 19.00
Info: tel 0523.1720408
www.biffiarte.it
Press Biffi Art Gallery
Angela Ianni
tel 0523.1720408
galleria@biffarte.it
www.biffiarte.it
Press Formec Biffi
Antonella Maia
The cell 349 4757783
antonellamaia.ufficiostampa @ gmail.com
www.formecbiffi.it
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