Exhibitions, Italy, Bologna, 15 November 2014
The Gallery of Contemporary Art Wikiarte
Via San Felice 18 - Bologna
Is pleased to invite
Saturday, November 15, 2014
18.00
All 'inauguration of exhibitions
HELENA RUTH FISCHER
ANGELO CONTE
GIOVANNI PAGLIARELLO
NICOLA fOCCI
How many people have so many ways of approaching the world. The artistic mind, more than any other, explores these infinite possibilities of interpretation. Wikiarte continues to study this research living and letting live new experiences designed to scrutinize the present.
Ruth Helena Fischer gives us figures distorted by the color, silhouettes deleted from the hand of the artist who decides to rid the subject, to give an absolute value. This becomes omnivorous, restless why more hungry, devastating. The canvas is no longer needed to contain the abstract exercise, but becomes a "springboard" for a jump in the real material imagination. The feeling you have before the work of Fischer is due to a fear by the encounter with something unreal, extracted from our world, which, however, has the power to invade and hit us with a 'wave visceral. So we see that the effect immediately in front of the artist's work is nothing but the actual distortion of a 'strong emotion. There is, at this point, in front of an oxymoronic effect produced by the combination of the terms "abstract" and "reality." The question arises: What actually is it? Question that the work of art has always paid and which has always tried to respond.
The works of Angelo Conte are authentic reconstructions of fantasies "real" or, rather, made up of pieces of real life, overwhelmed by the unconscious human. Objects, people, landscapes formally recognized combine in paradoxes visionary, absurd but familiar. The eye leaves the nice colored, while the mind tries to extract a meaningful link between the images. The word is spelled, the narrative is fragmented and items are offered to the viewer's eyes always ready to make a new interpretation. The artist does not fear the "versatility" of his art, and is aware that the more likely lacks the more endearing. the primary image, the one given by the artist remains the sine que non for all our new fantasy.
The encounter with the painting of John Pagliarello us to communicate with a vision of environments, that apparently do not seem figurative and evanescent, but instead are real characteristics of the art world. The colors, as in all great art, take on the role of beings and things. . The saturation of more layers in the same garment action produces a latent dynamism, which occurs gradually over the course of the dialogue / observation work. Heterogeneous material, elusive style but clear titles, circumstantial, as described we suggest a conceptual representation, not of kind of symbolism, but liberal. The manual makes visible the anti-humanistic act inherent in the work of art, balancing form and concept. No more beautiful or well-done it is, but a unique event, aesthetically unique.
Nichola Focci not only wants to give us pictures. Not enough to confess. Then we talk, we question, we recommend. His world began in black and white, knew the polychrome with communication, interaction. A Focci has no interest in concluding, to accomplish the object of art, but to dialogue with its implementation manual and mental health. The artist is fascinated by the world, shocked and delighted, tireless explorer, always eager to share. For this Focci is very careful in the pursuit of a more sincere sharing. The story is not enough, the word is decipherable, photography is not enough, it must have the tonal characteristics of the physical printing to achieve the same visual and tactile sensations tested by the time of his creative work. It is an illusion that photos you do with the car ... you do it with your eyes, my heart, my head. (Henri Cartier-Bresson)
Denitza Nedkova
criticism:
Presentation by Denitza Nedkova
Curator of the exhibition:
Deborah Petroni
Sponsored and advertised by:
www.cemusa.com
www.genzianariccicomunicazione.it
www.ilpensieroartistico.eu
www.paolobalsamo.it
www.lavoriedilionline.it
Duration of the exhibition and related events
Give exhibition from November 15 to November 27, 2014
Gallery hours Wednesday to Saturday from 11.00 to 19.00 with a lunch break
Tuesday and Sunday from 15.00 to 19.00
closed on Mondays
Info and contacts:
Mail: info@wikiarte.com
Site: www.wikiarte.com
Via San Felice 18 - Bologna
Is pleased to invite
Saturday, November 15, 2014
18.00
All 'inauguration of exhibitions
HELENA RUTH FISCHER
ANGELO CONTE
GIOVANNI PAGLIARELLO
NICOLA fOCCI
How many people have so many ways of approaching the world. The artistic mind, more than any other, explores these infinite possibilities of interpretation. Wikiarte continues to study this research living and letting live new experiences designed to scrutinize the present.
Ruth Helena Fischer gives us figures distorted by the color, silhouettes deleted from the hand of the artist who decides to rid the subject, to give an absolute value. This becomes omnivorous, restless why more hungry, devastating. The canvas is no longer needed to contain the abstract exercise, but becomes a "springboard" for a jump in the real material imagination. The feeling you have before the work of Fischer is due to a fear by the encounter with something unreal, extracted from our world, which, however, has the power to invade and hit us with a 'wave visceral. So we see that the effect immediately in front of the artist's work is nothing but the actual distortion of a 'strong emotion. There is, at this point, in front of an oxymoronic effect produced by the combination of the terms "abstract" and "reality." The question arises: What actually is it? Question that the work of art has always paid and which has always tried to respond.
The works of Angelo Conte are authentic reconstructions of fantasies "real" or, rather, made up of pieces of real life, overwhelmed by the unconscious human. Objects, people, landscapes formally recognized combine in paradoxes visionary, absurd but familiar. The eye leaves the nice colored, while the mind tries to extract a meaningful link between the images. The word is spelled, the narrative is fragmented and items are offered to the viewer's eyes always ready to make a new interpretation. The artist does not fear the "versatility" of his art, and is aware that the more likely lacks the more endearing. the primary image, the one given by the artist remains the sine que non for all our new fantasy.
The encounter with the painting of John Pagliarello us to communicate with a vision of environments, that apparently do not seem figurative and evanescent, but instead are real characteristics of the art world. The colors, as in all great art, take on the role of beings and things. . The saturation of more layers in the same garment action produces a latent dynamism, which occurs gradually over the course of the dialogue / observation work. Heterogeneous material, elusive style but clear titles, circumstantial, as described we suggest a conceptual representation, not of kind of symbolism, but liberal. The manual makes visible the anti-humanistic act inherent in the work of art, balancing form and concept. No more beautiful or well-done it is, but a unique event, aesthetically unique.
Nichola Focci not only wants to give us pictures. Not enough to confess. Then we talk, we question, we recommend. His world began in black and white, knew the polychrome with communication, interaction. A Focci has no interest in concluding, to accomplish the object of art, but to dialogue with its implementation manual and mental health. The artist is fascinated by the world, shocked and delighted, tireless explorer, always eager to share. For this Focci is very careful in the pursuit of a more sincere sharing. The story is not enough, the word is decipherable, photography is not enough, it must have the tonal characteristics of the physical printing to achieve the same visual and tactile sensations tested by the time of his creative work. It is an illusion that photos you do with the car ... you do it with your eyes, my heart, my head. (Henri Cartier-Bresson)
Denitza Nedkova
criticism:
Presentation by Denitza Nedkova
Curator of the exhibition:
Deborah Petroni
Sponsored and advertised by:
www.cemusa.com
www.genzianariccicomunicazione.it
www.ilpensieroartistico.eu
www.paolobalsamo.it
www.lavoriedilionline.it
Duration of the exhibition and related events
Give exhibition from November 15 to November 27, 2014
Gallery hours Wednesday to Saturday from 11.00 to 19.00 with a lunch break
Tuesday and Sunday from 15.00 to 19.00
closed on Mondays
Info and contacts:
Mail: info@wikiarte.com
Site: www.wikiarte.com
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