Exhibitions, Italy, La Spezia, 24 October 2013
onda mentale le2013 (Third Review)
text edited by Gilda Da Pozzo
In the early seventies after the American Pop Art and the Art of the Corps of Viennese artists , after all conceptualism , including analytical and Minimal Art, the Modern ending his race in progress and declines. The uncertainty of some post-modern artists began to use the new video recording technologies , such as Port -pack of Sony's and later with other instruments, and improved image with color. In those years with the television networks still in black and white , interested collectors began to form the first collections of video art that , to tell the truth , many of those works were nothing more than normal documents: shooting video of actions designed artistic and realized in the real. These critical remarks may be extended to video installations with an excess of technology and digital programs , which would limit the definition of a work of art. In the current year , 2013, some artists are preparing to submit their video works online via the website Web Gallery of Art . The aim shared by all is to make known their works to a large number of educated observers , they also positively affected the development of art in the contemporary media .
While at first glance the work in video Federica Peyrolo seem kitsch , the image well set and a certain elegance in action redeems artistically. This is done with the relevance anthem national anthem with the flag - triptych entitled innocence. The music is not his , in this case it is not improper , is not used to endorse or to embellish their work , otherwise here is functional and well integrated into the linguistic structure of the video.
The work Second Malibu Mermaid feeds and form the image of an old video of the fifties , made with different technologies by the artist Charles Joseph Zuozo , which favors the interference and overlapping formal . Detect traces in the work of Pop is right for the removal of existing images , even if the carefree atmosphere and consumerism is long gone . The content specified by the author seem unexpected internal to meaning , speak in a clear manner of a time past , the longing for a day of life away and unrepeatable . Looking more carefully and reflecting the image of women and the wave of the sea, the final truth can be defined in symbolic , although this judgment may be different from the artistic intentions of the author.
Video Path # 007-0308 by Igor Imhoff is an artist's dream , his aspiration to magic, the little drawings on a white page are immobile, maybe they could come to life and live a life of its own as did their puppet Collodi. Today you can animate a drawing, and the artist creates his desire to create a micro- technologies with the underworld , where humanized insects are on the move, you try and hide themselves in the atmosphere of quiet prediurno . The soundtrack and the noise created by the author , harmonize well with the movements of graffiti soft colors and twilight .
The video of Marcello has Piva Self portrait images that remind screen printing, with intense yellows and magenta crawled , where alternate moments in the face of the author appears in Andy Warhol style . The video runs and jumps vertically like an old film of underground cinema . Passes quickly as the car of a train, a journey punctuated by the visual and aural presence and absence of the author.
Caterina Genta in his video Alice , tries to penetrate with his body in the universe of the virtual. It bends and tries, with hands on the floor on all fours and slow movements , he hopes to be sucked from the lens of the camera , to reach into the inner space where you will find a new Wonderland, although this time it will be in digital. The small camera is filming all the action : the hands and legs , shoes with high heels , all recorded in the foreground. At the end of the work , also the performer reaches a result exposing the online video Web Art Gallery, which , for its artistic qualities , she is advised to be more descriptive , although the medial future work will be conceptual or minimalist .
Maria Emilia Rebuglio , after a long stay in the art as a sculptor Modern , out of curiosity initial and subsequent artistic interest , since 2005 is engaged with the computer and some digital . Past culturally in the Post -modern , the artist presents the Art Web Gallery today his work in video fragments ,
work in abstract style , where filamentous forms , they move slowly in a space without gravity. From his memories of pork , reveals residues formal , approaching the work in abstract video to Surrealism . Digital music coming from deep within is intended to harmonize the flow of pleasant artistic composition .
Mandra Star Cerrone presents online video Love is a confession , with the screen divided into three images , a triptych where the performer is taken in three positions and is standing with a long white dress . In this beginning conceptual where exasperates the immobility , an arm very slowly moves upward to the limit of perceptibility . Also in this aspect of the video , the artist confirms his pursuit of expressive minimalism , that surprises us positively in the final , with the sudden burst of sound in the scene . The videos presented annually in the review Medial Wave , I am a free expression of style and means used , it is a coexistence in diversity , where you can generate an exchange of ideas for new creative ideas , expressed with an artistic language in the video , compatible and functional networks with the Internet global communications .
text edited by Gilda Da Pozzo
In the early seventies after the American Pop Art and the Art of the Corps of Viennese artists , after all conceptualism , including analytical and Minimal Art, the Modern ending his race in progress and declines. The uncertainty of some post-modern artists began to use the new video recording technologies , such as Port -pack of Sony's and later with other instruments, and improved image with color. In those years with the television networks still in black and white , interested collectors began to form the first collections of video art that , to tell the truth , many of those works were nothing more than normal documents: shooting video of actions designed artistic and realized in the real. These critical remarks may be extended to video installations with an excess of technology and digital programs , which would limit the definition of a work of art. In the current year , 2013, some artists are preparing to submit their video works online via the website Web Gallery of Art . The aim shared by all is to make known their works to a large number of educated observers , they also positively affected the development of art in the contemporary media .
While at first glance the work in video Federica Peyrolo seem kitsch , the image well set and a certain elegance in action redeems artistically. This is done with the relevance anthem national anthem with the flag - triptych entitled innocence. The music is not his , in this case it is not improper , is not used to endorse or to embellish their work , otherwise here is functional and well integrated into the linguistic structure of the video.
The work Second Malibu Mermaid feeds and form the image of an old video of the fifties , made with different technologies by the artist Charles Joseph Zuozo , which favors the interference and overlapping formal . Detect traces in the work of Pop is right for the removal of existing images , even if the carefree atmosphere and consumerism is long gone . The content specified by the author seem unexpected internal to meaning , speak in a clear manner of a time past , the longing for a day of life away and unrepeatable . Looking more carefully and reflecting the image of women and the wave of the sea, the final truth can be defined in symbolic , although this judgment may be different from the artistic intentions of the author.
Video Path # 007-0308 by Igor Imhoff is an artist's dream , his aspiration to magic, the little drawings on a white page are immobile, maybe they could come to life and live a life of its own as did their puppet Collodi. Today you can animate a drawing, and the artist creates his desire to create a micro- technologies with the underworld , where humanized insects are on the move, you try and hide themselves in the atmosphere of quiet prediurno . The soundtrack and the noise created by the author , harmonize well with the movements of graffiti soft colors and twilight .
The video of Marcello has Piva Self portrait images that remind screen printing, with intense yellows and magenta crawled , where alternate moments in the face of the author appears in Andy Warhol style . The video runs and jumps vertically like an old film of underground cinema . Passes quickly as the car of a train, a journey punctuated by the visual and aural presence and absence of the author.
Caterina Genta in his video Alice , tries to penetrate with his body in the universe of the virtual. It bends and tries, with hands on the floor on all fours and slow movements , he hopes to be sucked from the lens of the camera , to reach into the inner space where you will find a new Wonderland, although this time it will be in digital. The small camera is filming all the action : the hands and legs , shoes with high heels , all recorded in the foreground. At the end of the work , also the performer reaches a result exposing the online video Web Art Gallery, which , for its artistic qualities , she is advised to be more desc
Maria Emilia Rebuglio , after a long stay in the art as a sculptor Modern , out of curiosity initial and subsequent artistic interest , since 2005 is engaged with the computer and some digital . Past culturally in the Post -modern , the artist presents the Art Web Gallery today his work in video fragments ,
work in abstract style , where filamentous forms , they move slowly in a space without gravity. From his memories of pork , reveals residues formal , approaching the work in abstract video to Surrealism . Digital music coming from deep within is intended to harmonize the flow of pleasant artistic composition .
Mandra Star Cerrone presents online video Love is a confession , with the screen divided into three images , a triptych where the performer is taken in three positions and is standing with a long white dress . In this beginning conceptual where exasperates the immobility , an arm very slowly moves upward to the limit of perceptibility . Also in this aspect of the video , the artist confirms his pursuit of expressive minimalism , that surprises us positively in the final , with the sudden burst of sound in the scene . The videos presented annually in the review Medial Wave , I am a free expression of style and means used , it is a coexistence in diversity , where you can generate an exchange of ideas for new creative ideas , expressed with an artistic language in the video , compatible and functional networks with the Internet global communications .
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