15 September 2016
Saturday, October 22 will be inaugurated the First Exhibition of Contemporary Art
"Periscope on art in Italy" to the Ducal Castle of Corigliano Calabro (CS),
Catalans exhibits the work Traces transferred 016.
graphite design with vegetal elements on paper.
Stefano Catalini ‘s art is generated by a deep constructive and formative drive, which is felt and shared with spontaneity and naturalness. Each of his works, be it of big or small dimensions, is both the origin and the emanation of infinite expressive possibilities, all of them caught at the right moment, with wisdom, humanity and refinement. The Marche artist always offers his public his “pieces” tactfully, as if they were choice dishes necessary to fix the stages of an agnostic route-ritual. Catalini always aims at the maximum quality of the material (and of perceiving/feeling/touching) but without parading blatant effects or intimidatory “textures”, which are, actually, only able to make you lose the contact with the best part (as it is usually unheard-of) of the aesthetic rituality. All of his works hare a great growth and proliferation potential because they are
without margins, they get you to think about stages of the intrauterine existence, an infinite life, anything but “sine macula”.
Claudio Nalli
September '16
"Periscope on art in Italy" to the Ducal Castle of Corigliano Calabro (CS),
Catalans exhibits the work Traces transferred 016.
graphite design with vegetal elements on paper.
Stefano Catalini ‘s art is generated by a deep constructive and formative drive, which is felt and shared with spontaneity and naturalness. Each of his works, be it of big or small dimensions, is both the origin and the emanation of infinite expressive possibilities, all of them caught at the right moment, with wisdom, humanity and refinement. The Marche artist always offers his public his “pieces” tactfully, as if they were choice dishes necessary to fix the stages of an agnostic route-ritual. Catalini always aims at the maximum quality of the material (and of perceiving/feeling/touching) but without parading blatant effects or intimidatory “textures”, which are, actually, only able to make you lose the contact with the best part (as it is usually unheard-of) of the aesthetic rituality. All of his works hare a great growth and proliferation potential because they are
without margins, they get you to think about stages of the intrauterine existence, an infinite life, anything but “sine macula”.
Claudio Nalli
September '16
Comments 3
Non sono buono in arte reale, ma faccio progetti come questo: http://ems-beauty.it/. Posso dire che anche questo può essere chiamato forma d'arte
Mia - film-maker and writer from from http://essayforcollege.org/ webpage
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